This project started as a digitized model of the Fender Showman’s “harmonic vibrato” just for fun, experimenting with more LFOs and more tremolo styles. Catalinbread really like the sound of tremolo splashing against a reverb like Magnatones or Vibro Champs, as with their Topanga Burnside, but went even further adding some trem-specific reverb algorithms and a subtle tone control. Then Catalinbread discovered that not all LFOs are equal and decided to take advantage of their specificities. In a completely different program, trem modulation with chorus floating on top sounded too good to leave out. Also, when working on the Many Worlds, Catalinbread had fun with the envelopecontrolled phase angle and decided to craft an envelope-controlled trem rate with adjustable sensitivity and attack/decay, leading to head-spinning effects when letting chords ring out or when cranking some touch-sensitive solos. The Tremolo8 runs from 9V up to 18V for a bit more output, a dry signal boost and increased headroom.